The Baron's Palace

The Baron's Palace

Fables, Legends and Controversies

by Heba Fatteen Bizzari

 Editor's Note : It seems that the Baron 's Palace in Greater Cairo , after the Great Pyramid and Sphinx of Giza, is subject to other fables , legends and rumors than any other monument in Egypt. I was amazed to hear a guide, which was very serious , the old palace was built on a type of turnstile turn the whole building and its windows were always sunny. Of course , it was urban legend in Cairo, but for many years, building in Heliopolis has ignited the imagination of the local people with all kinds of fables , legends and rumors.Today, the Hindu palace Barons remains countless rumors object. From time to time, new rumors about the monument was abandoned for many years . Its haunted by bats , stray dogs , and others believe in ghosts. And while the place attracts some architects for her wealth, it also seems to have attracted teenagers for their wild parties. They enter the place on weekends , drink beer and smoke hashish . In the late 1990s , the palace was said to be filled with tattooed , devil worshiping young people holding orgies, skinning the cat and write their names in the rat blood on the walls of the palace. Of course, as old houses go, we assume that it could or could not be haunted, but the palace now has two guards who are responsible for ensuring that nothing too special happens inside.

Does it look like Egypt?

The palace was the industrial manufacturer of Belgian origin , General Baron Edouard Louis Joseph Empain (1852-1929) The prodigal son of a school teacher in the village which has become one of the greatest entrepreneurs of colonialist of Europe in the 20th century. Empain had significant business interests in Indonesia and in time became a well-known amateur Egyptologist . He arrived in Egypt in January 1904 , with the intention of saving a project abroad his Belgian company , which was the construction of a railway line connecting Port Said Matariya . This project was in conflict with British interests and he ended up losing to the Britons . Beaten in the railway department, Empain lingered in Egypt , however, instead of cutting his losses and go home . Those who knew him said then that he had fallen madly in love with the desert. Others murmured that despite a long-standing affair in Belgium , which had been blessed with two illegitimate children , he succumbed to the charms of Boghdadli Yvette , one of the finest fashionable Cairo . He then had the idea to acquire land at low cost and use it to build a residential area linked to Cairo rapid transit . He established the Heliopolis Oasis Company the following year. 

Another view of the Palais des Barons in Heliopolis , Egypt

His efforts culminated in 1907 with the construction of the new city of Heliopolis in the desert ten kilometers from the center of Cairo . It was designed as a "city of luxury and leisure " , with broad avenues with monumental panoramic outlook , equipped with all facilities and infrastructure , including water , sewer , electricity, facilities the hotel such as the Palace Hotel and Heliopolis House and leisure facilities including a golf course , racetrack and park. In addition, there was housing for rent , offered in a range of innovative design types targeting specific social classes with detached and terraced villas , apartment buildings, apartment blocks with balcony access and workers' bungalows.

Strange works in stone at the Palais des Barons

The new city has also represented the first large-scale attempt to promote what later came to be called the " modern Arabic style", known in his time as the " Moorish " . However, his own extravagant house , which was built between 1907 and 1910 , dominates the city , he chose an architectural style that was very different.To his own house, he chose a prestigious location in Heliopolis , and ordered Alexander Marcel , a French architect and a member of the prestigious French Institute , build him a Hindu palace . Some say he was supposed to be more or less a copy of the temples of Angkor Wat in Cambodia he had seen during his travels in the country , while others say it is modeled on the great Hindu temples of Orissa.

More strange stone Baron Palace

Empain best Indonesian artists and sculptors for its construction. They built on an artificial elevation to allow the Baron to watch the sunrise Heliopolis. The palace was striking out under the responsibility of Marcel, who played an eclectic mix of busts, statues , elephants , snakes , Buddha, Krishna and chills . The sophisticated interior was the responsibility of his French partner, Georges- Louis Claude . This team was also responsible for the construction and decoration of the Oriental Pavilion attached to the Royal Palace of Laeken in Belgium.The palace was , of course, built in a very select area . Other noble neighbors , to his left , facing Avenue Baron was the Arabesque palace , which is now the military headquarters but was originally the home of Boghos Nubar Pasha and Mary. It was Pasha who helped Baron Empain in buying 6,000 acres of empty desert to a pound each on which he built Heliopolis. Diagonally opposite resist the former residence of Sultan Hussein Kamel , who ruled Egypt between 1914 and 1917. Today, it is a presidential guest house .Since visitors are not allowed to enter the palace , little is known about its interior today. It consists of two floors with two additional floors underground . The basement contains a mausoleum of the family, a kitchen and a room of the servant. There are two elevators and even a tunnel that connects to the nearby church built by Baron .

Close the door of the palace of Baron Heliopolis , Egypt

Of course , the Baron himself was the first to occupy the palace . He received all hosts marks Egypt including King Albert and Queen Elizabeth of Belgium during the pre-war I visit Egypt. Although the decrease in number, there are those who still remember when the landscape surrounding the Hindu palace was a paradise festooned with growing green terraces each with its own set of erotic statues in marble and exotic vegetation. As guests negotiated terraces on their way to the major steps leading into the great hall of the palace, they felt as if some mythical Deus watched from inside the palace. These lyrical pleasure Baron endless .Next to occupy the palace was his playboy son , Baron Jean Empain . He received his guests, either racing or Heliopolis his balls innumerable palaces where he cut a dashing figure with his multiple wives . It was an American cabaret dancer Rozell Rowland aka Goldie who finally nailed to the altar. The "prince" and the showgirl had met in a nightclub in Cairo where she performed all painted gold. The last of the family of Baron to occupy the palace were Janine and Huguette Empain who actually preferred the salons of the fashionable Heliopolis Sporting Club or the roof garden of the former Hotel Semiramis in sepulchral halls of the palace of their great grandfather. The palace was finally sold by its owners in 1957 for two families, and Alexem Reda, who were Saudi-born .

Corner detail from Baron's Palace

Today, the spark of the place is gone. It became an architectural masterpiece that produces incredible stories and rumors, but as these stories and rumors, has no inner beauty. Finished murals Fresco massive golden doors , balustrades , floors , door handles gold , and Belgian mirrors were torn from their sockets. Now he is best known for the bats that live there, and profane the floors with their droppings.The Egyptian government may want to turn the palace into a museum in the desert, or perhaps a large pantheon of Egypt. Unfortunately, they are not the owners of the building and those who are said to have asked for 50 million U.S. dollars prize. This is much more than the annual budget of the Supreme Council of Antiquity. The owners speak to transform the palace into a casino or even a medical center Euro style . Unfortunately for the owners, their options are limited. Act 117 prohibits the sale or purchase of buildings that are considered to be antiques. So for now , it seems , the Palace of the Baron is one of those landmarks that is yet to see the light of the restoration.No doubt incredible stories will continue to leave the palace and lost fortunes. None will be more amazing than that , however, the priceless architectural treasure abandoned and crumble at the sight of all the ministers, VIP, tourism and other passenger air as they motor up the road from the airport on their way in or out of Cairo.

Tombs of Ankhtifi and Sobekhotep at El-Moalla

The province of El Moalla cemetery is located on the cliff of the Eastern Desert of the Bank of the Nile, about 32 km south of Luxor. The site seems desolate and windswept , but two important tombs of several belonging to provincial governors and officials of the Old Kingdom to the First Intermediate Period can be found here .

Tombs in El - Moalla

The tomb of Ankhtifi
 A small shrine , first located by French archaeologists in the 1920s , is known to be the tomb of the provincial governor and warlord Ankhtifi , who held power in the region during the dynasty IX. As " Great Overlord of the nomes of Edfu and Hierakonpolis ", " supervisor priests " Ankhtifi was the governor , or " nomarch ' several neighborhoods between Edfu and Armant . Its decorated tomb shows many interesting and important painted scenes that give us insights into the complex political events in the First Intermediate Period obscure .

The tomb of Ankhtifi

One rock-cut tomb chapel is all that remains today the monument Ankhtifi . The entrance leads to a rectangular room that once contained many columns, but most of them are now gone. The irregular plaster walls are not well preserved, but the remaining painted decor is beautiful and much more flexible than the style of Old Kingdom more formal. Inside the door, a fishing and gun scene on the right wall is particularly interesting for its varieties of fish, including the deceased harpoon and reeling in , while his wife holds a bird by the beak . Ankhtifi also supervises butchers while its fleet of boats waiting beyond. The colors are interesting and unusual , with great use of light green paint and patterns of alternating colors. The absence of the papyrus thicket is another type of old conventions of the Kingdom of art .

Fish in the Nile

The opposite wall (east ) shows rows of cattle and other animals in agricultural scenes . Note the braided hair of some cattle and donkeys carrying grain . The wall opposite the entrance probably once contained a false door , and Ankhtifi and his wife are seen sitting at a table with remains poorly preserved banquet scenes beyond. At the end of this wall are depicted men go hunting with bows and arrows and hunting . The tree landfill is located in the center of the tomb at the foot of the false door .

Agricultural and Ankhtifi scenes with his wife

The few remaining columns are decorated illustrating industries, including carpentry, farming, food preparation and brewing . Two square pillars can be seen at the entrance and Ankhtifi is shown in the right column opposite the tomb, with three of his dogs at his side . Two columns in the southern half of the tomb show images and conventional tillage and a chorus of women holding hands .

Industries in the tomb of Ankhtifi

The biographical text is considered the most important inscription in the tomb, and describes a famine at the time in which the deceased Ankhtifi proclaims his own glory in saving his people. " . . dying on the sandbank Apothis . " The text mentions the cities of Hefat and Hor -mer , whose location is not currently known. Ankhtifi tells the food and clothing of the people in the neighboring districts and states. " . . I was like a sheltering mountain. . . the country became like grasshoppers go in search of food, but I never allow anyone in need out of this nome to another. I am the hero without equal . Modest chap ! Famine seems to have haunted the Egyptians periodically and there are many reliefs monuments across the country that show scenes of hunger and misery. Archaeologists suggest that the turbulence and uncertainty surrounding the end of the Old Kingdom was largely due to a prolonged drought when the Nile floods were low and the fields do not produce enough food.

cook

British archaeologists Mark Collier and Bill Manley have recently returned from an exploratory trip to El Moalla to study inscriptions in the tomb of Ankhtifi . The humble tomb carved into the rock , they went on record was found not to be cut into the cliff at all, but turned out to be a burial pyramid (normally reserved for royalty ) . The chapel of the tomb is in a courtyard and has a floor , which could be seen from the mountain top, with a massive necropolis stretches some 5 km away. Interment now appears to be a mountain -shaped autonomous pyramid, which is surrounded by hundreds of other graves , raising hopes that the city lost Hefat Ankhtifi could be located nearby. French archaeologists in the early 20th century had not searched the entrance to the tomb - chapel itself , while Collier and Manley state that the monument seems to have all the characteristics of a good pyramid, even if a natural .
 The tomb of Sobekhotep
 A few meters north of the tomb is the smallest Ankhtifi tomb-chapel of Sobekhotep , another first official through the period and this is the second tomb decorated el- Moalla . It is rough-hewn and not so well preserved that its neighbor, but there are some interesting scenes .

Septic and scenes in the tomb of Sobekhotep

The tomb is similar to that of Ankhtifi form, but has three burial shafts instead of one . On the walls to the right of the entrance, there are scenes of mourners damaged , with scenes below men taking grain store - house. Sobekhotep is pictured here with his wife and son . On the eastern wall there are the remains of industrial scenes at the bottom with more traditional hunting desert above. Parts of agricultural scenes , showing animals and products can be seen on the back wall , with two rows of men and women at the west end . Sobekhotep and his wife are again represented on the wall left of the entrance, reception offering bearers .How to get there
 El- Moalla is only about half an hour by taxi from Luxor and Esna or from the convoy stopped in 2009 , the site is now much easier to visit independently by taxi. On reaching the village , cross the railway line and to seek custody of the graves which the key. There is a strong rise of the hill tombs, but you'll be rewarded with a spectacular view of cultivated land to the Nile .

The Village of Dendera

The Village of Dendera

The village of Dendera is located 60km north of Luxor on the west bank of the Nile , opposite the city of Qena province , where the Nile Valley road branches off the Red Sea city of Hurghada . Its ancient name was Iunet and was known in antiquity as Tentyris . The temple of Hathor is largely a Ptolemaic structure , but the site extends over several periods of dynastic early through Christian .The temple of Hathor
 Oriented Nile Temple of Hathor follows the fairly typical in terms of other temples of the Greco- Roman era. It is among the largest and best preserved of the remaining temples because of its construction delay even if there are texts that refer to the holy places prior to the site of the Old Empire. It is dedicated to the goddess Hathor and mythology about her husband Horus of Edfu. The current building of the temple was started before the reign of Ptolemy VIII Euergetes II whose name is in the crypts , pursued by the Ptolemaic kings and was completed in Roman times .

The temple of Hathor at Dendera

The main temple has an imposing facade built as a low screen wall divided by six massive columns Hathor head and a large curved cornice with a winged sun disk at the entrance. This leads directly into the hypostyle hall containing a forest of 18 columns Hathor similar to the facade. The ceiling of the first pillared hall is of particular interest , divided into seven bands well preserved astronomical figures featuring the goddess Nut, vultures and winged sun disk and Roman zodiac signs . The walls are decorated with scenes of Roman emperors as pharaohs involving Hathor.

hypostyle ceiling

The rear wall of the first hypostyle was the original facade of the temple and a door leads to a small known as the " hall of appearances" where the statue of the goddess first appear on his annual trip pillared temple . Six columns support the roof Hathor small admitting light through square openings . The walls here are scenes of the king involved in ritual ceremonies of the foundation, where the cartridges are empty because of the uncertain time period . On each side of this room are three rooms which were the places where the chapels connected with the daily rituals and also on each side , there is access to the stairs leading to the roof .Beyond the second hypostyle is a "hall of offerings" where the daily rituals were performed by priests and priestesses of Hathor. Opposite this room is the "Hall of ennead " or " living cycle of the gods" where the statues of deities were associated assembled holidays. A sanctuary of central boat once contained the shrine where the cult statue Hathor was housed. either side of the door, the king is shown offering a copper mirror , one of the sacred symbols of Hathor, the goddess .

The temple of Hathor

Passage around the sanctuary contains 11 chapels dedicated to various deities and religious symbols. The most important of them is the room directly behind the sanctuary took place a shrine with images and symbols of Hathor. High up in the wall of this room is a niche containing a relief of Hathor and this is a sanctuary of the " ear " on the outside of the temple, where prayers to the goddess was offered.Under the floors of the rooms of worship, there were 14 crypts that stores the treasures of the temple. 11 of them were decorated and painted and it is assumed that some of the most secret rites of the goddess have been associated with these small rooms. The purpose of the largest recorded in the crypts was a cult icon of the ba of Hathor who was taken in the sanctuary of the temple roof at the festival each year. One of the crypts is currently available and it is worth seeing and in quiet time visitors may be allowed to go inside. Beware of bats , though!

The Pure Place

To the right of the sanctuary is a small open courtyard where sacrifices were made ​​during the celebration of the new year. A flight of steps at the end of the courtyard leads to a condition known as " clean place " which has a beautiful ceiling depicting a huge figure of the sky goddess Nut , showing the cycle of birth of the sun whose rays are kiosk shines on Hathor.The western staircase up to the roof in the company of a procession of priests carrying standards and symbols of the goddess, and also illustrates various aspects of the festival of the new year. Note that the priests who ride on the right and down on the left of the staircase that wraps around to cover rooms at different levels. The staircase is dark, lit only by small openings in walls and at the top is a result of known Osiris suite ' rooms . In the interior of the two chambers Isis and Nephthys are shown mourning the death of Osiris, who is on his funeral beir waiting to be resurrected by magical rituals. Again, Isis is magically imbued with the seed of her son Horus as the myth unfolds. Astronomical figures can be seen on the ceiling.A corresponding result on the eastern coast of the roof represents the lunar festival Khoiakh in which a " Osiris bed ' was filled with soil and seeds of grain in an important fertility rite . The walls of the first showroom scenes burial goods of Osiris, including his canopic jars and nut ceiling are again shown with other astronomical figures . On the other half of the ceiling is a plaster copy of the famous Zodiac of Dendera ", the original is in the Louvre in Paris . The inner hall depicts scenes from the myth of Osiris, similar to the western suite, as well as reliefs of cosmic importance . These two bedroom suites are dedicated to the death and resurrection myth of Osiris , which reflect the mysteries of the divine birth of own son of Hathor, Ihy .

Chapel of the disk

In the southwest corner of the roof is a gazebo or chapel with 12 columns Hathor - head known as the " Chapel of the disc. Here, the statue of the goddess was revealed on New Year's morning to meet with the first rays of the sun, the solar disk .The festive procession had left the roof of the east staircase leads down to the lower floor, with his priests descending file .The City TempleA huge wall of mud bricks survives to encircle the temple complex with lots of debris from many years of excavation and clearance scattered around. Originally a stone wall surrounding the temple on three sides with an entrance through a gateway built by Domitian, the rest forming the entrance to the modern temple. If you look inside the lintel of the door a rare sculpture of a beetle can be seen on the underside.On the right, two birthing . The Roman mamissi was built by Augustus with reliefs later by Trajan and Hadrian. The bas-reliefs on the exterior walls are superbly preserved, and portray the divine birth and childhood of the child Horus, celebrated rites legitimize the divine descent of the king. The god Bes , protector of women during childbirth is depicted on the columns of a colonnade. The grotesque appearance of the dwarf god was thought to ward off evil spirits at the time of birth.

Roman Mammisi

A previous mamissi south was built by Nectanebo I and celebrated the birth of the young god Ihy , the son of Hathor and Horus of Edfu. The walls of the wide hall represent the Ptolemaic kings offering to Hathor. A scene on the north wall shows the creator god Khnum shaping the child Hekat the goddess of childbirth seen in the image of a frog.Between the two houses of birth are the remains of a Coptic basilica dating from the 5th century AD . This is currently being excavated with a lot of restoration work.

Beside the ruined church are the remains of a mud brick sanatorium , thought to be the only extant . There were benches along the sides, where the patients sat waiting for cures affected by the priests. An inscription on a statue base found here suggests that water was poured over magical texts on the statues, causing it to become holy and to cure all kinds of diseases and illnesses . Basins used to collect holy water can still be seen at the west end .A rectangular sacred lake in the southwest corner of the temple . It is now empty apart from large trees that grow inside its walls. A flight of steps lead to a terrace on each corner and one flight hidden in the walls would have access to water when it was at a lower level. Beside the lake is a well with steps cut into the rock leading to access to water for daily use in the temple.

sacred lake

Behind the temple of Hathor is a Iseum a small temple dedicated to the goddess Isis from the time of the Roman emperor Augustus. It contains a sanctuary and two side rooms and the rear wall of a niche that once contained a statue of Osiris and a figure in high relief of the god Bes . The walls of the small temple depict scenes of Hathor suckling the child Horus , with representations of Hathor as a cow- goddess of the east and west walls .Finally, the outer rear wall of Hathor temple is noted . Reliefs represent royal figures of Cleopatra with her son Caesarion , who was his co-regent before Roman times . A huge false door at the back of the sanctuary central Hathor inside the temple was placed for pilgrims to submit prayers to the goddess , and you can see how it became worn countless hands rubbing stone . Up on the wall is a scene depicting the festival of " Raising the Sky ' . Water jets lion head that drained water from the roof of the temple can be seen around the tops of the exterior walls.

Hathor and Bes

Back to the front of the temple there are many interesting pieces or blocks and the architecture of the temple buildings , including several heads beautiful Hathor 's and a nice relief for small Bes God instead so important in the complex.nearby monumentsThe site of the Temple of Dendera has a long history and there are many remains of ancient tombs in the United scattered in the desert behind the walls of mud bricks .A temple dating from King Mentuhotep Nebhepetre the Eleventh Dynasty , who had the west side of the temple , was removed from the Cairo Museum .How to get thereA few years ago Dendera Temple was closed to visitors, a cafeteria and a souvenir shop almost abandoned. It is now once again a thriving tourist attraction that is often incorporated into the itinerary of a cruise on the Nile. Alternatively, it can be reached by taxi or bus tour of Luxor. Tickets cost 35 EGP grid .

The Temple of Rameses II

The Temple of Rameses II

At 300m from the temple of Seti I at Abydos, at the western end of the village of Beni Mansour, Ramses II built another temple for himself. This has also been devoted primarily to the worship of Osiris, but it was a more conventional than the temple of his father design. It was built when he was co-leader with Seti I. The walls of the temple of Ramses are reduced, now only about 2m high, but the plan of the structure is still clear to see. Biggest attraction of the temple are brightly painted reliefs which may be the best in any monument built by Ramses II.

Temple of Ramses II

The temple walls are built of limestone, with sandstone pillars. The first pylon and judiciary are now ruined and pink granite portal leads directly into a second courtyard surrounded by a colonnade of pillars Osirid on its north, east and south. No pillars are preserved to their full height and statues of King Osirid committed not everyone has the head and shoulders. The north wall of the courtyard is processions of priests and offering bearers with a bull decorated and gazelles, as well as soldiers, Libyans and Negroes. On the north wall there are some interesting graffiti. Some old amateur artist incised image of a god In-Hert and a painted front door priest him the inscription "Djed-IAH, the justified, WAB-priest of Osiris, Djedi-ankh-f '.At the end of the courtyard on the west side is a raised portico with two chapels dedicated to Seti I and deified ancestors of King chapels on the left and two to nine gods of the Ennead and Rameses II (and Osiris Khenty-Amentiu) on the right. The shrine of the ancestors once contained a table of kings on its north wall, part of which (the "second list of Abydos") is now in the British Museum.On the north wall of the portico carved Ramses new name rings Asian tribes he conquered. A beautiful bridge in polished black granite, 5m high and decorated with scenes and inscriptions, which was restored in the center of the portico leads into the first pillared hall.The first hypostyle was decorated while young Ramses was still co-leader of his father if his cartridges were then modified to contain its own pharaonic titles. Eight rectangular pillars that supported the roof is now gone. The decoration of the hypostyle hall is similar to that of the court and the portico, but a dado bright colors on the lower walls representing the gods of the Nile. These are painted in different colors, red represents the Nile flood, blue represents winter and green in the summer. At the west end of the south wall of the room, went up a narrow staircase to the roof, but there are only 12 remaining steps.

Reliefs in the west chapel

The second hypostyle has eight sandstone pillars with three chapels on each of the north, west and south. The chapels in the north are dedicated to Thoth, Osiris and Min. The chapels in the south are very badly damaged, but we think the central was dedicated to Osiris with a clothing room where everyday clothes of the god were stored. The chapels on the west side of the room were dedicated to Amun-Re, Osiris and Horus eventually. In the last sanctuary on the north wall, there is a colorful relief of "Mistress of Abydos" Hekat goddess, usually depicted as a frog, but in this case showing the human face. Apart from the Lord of the Sacred Lands it the god Anubis also has the head of a man rather than the usual jackal. This is the only known human-headed Anubis example.The central sanctuary on the west side of the hypostyle is the sanctuary "alabaster" of Osiris where you can see a group of restored gray granite statue was brought to another place in the temple and is (probably) Osiris, Isis, Horus, Seti I and Ramses II.In the corner of the west wall to the north and south are thought to be two bedrooms rooms statue also very colorful reliefs. Contain niches decorated and each room has a beautiful southern relief of Ramses offering to Osiris, which is protected by a winged Djed pillar. This is thought to be one of the first representations of a symbol that has become popular in the following dynasties.Only the lower parts of the exterior walls still exist and the north and west walls have a version of the Battle of Kadesh Rameses in the beautiful terrain incised, but not as complete as in some of its monuments later. On the south exterior wall, there is less of a festival calendar that lists the offers provided by royal grant to be presented on public holidays party. Under this Ramses describes his temple and seems to be specific in what remains of the text. It describes a tower of white limestone, granite doors and a sanctuary of pure alabaster which had to be beautiful in its time.Fragmentary king-list of the temple of Ramses II at Abydos. The top row keeps cartridges little known dynasties VII and VIII kings. The middle row shows those of Dynasty XII, XVIII and XIX, omitting some leaders as Hatshepsut, Akhenaten & Tutankhamun. (British Museum EA117)

Landmarks near

Northwest of the Temple of Ramses II in an area known as Kom es-Sultan was a temple in ancient mud-brick dedicated to the god-Khenty Amentiu front of the West ", which later became associated with Osiris as the god of death. It is uncertain whether Khenty-Amentiu was just as Osiris or a different god. Artifacts representing kings from the time of archaic dynasties of the Greco-Roman period have been found here, but little structure survives today. There was also a small temple Wepwawet around.It is likely that the area of ​​Kom es-Sultan was crowded with temples of the Middle Kingdom and the pilgrimage to Abydos was an important part of religious life with many kings adding to the Temple of Osiris. Buildings constituting the settlement area in northern Abydos dating from predynastic were found around Kom es-Sultan. Recent excavators found an old kingdom residential area southeast, which contains a street of mud houses with courtyards and a faience workshop with its kilns.Twelfth Dynasty king Sesostris III added a temple at Abydos collection at the western edge of the desert to the south of the temple of Seti, but nothing remains above the sands. Another cenotaph temple of Sesostris III was further west.Ahmose, the first king of the eighteenth dynasty, built a temple terraces and cenotaph against the mountains southwest of Abydos and also a small shrine to her grandmother Queen Teti-sheri. Long after his death, Ahmose was revered as a demi-god and oracle at Abydos with his wife Ahmose Nefertari.On the southwest side of the walls of the temple of Osiris Ramses II built a limestone "Temple Portal" which was probably the entrance to the area of ​​the ancient cemetery.Recent excavations (1996) Pennsylvania Yale Institute of Fine Arts discovered a small temple in limestone with high quality reliefs which was built in the XVIII dynasty by Tuthmose III. This temple is to the southwest of the enclosure Osiris Kom es-Sultan.A small temple built by Ramses I and now destroyed, was the temple of Ramses II and the temple of Seti.How to get thereSee the page on the temple of Seti I to know how to get to Abydos. The Abydos area encompasses the modern village of Beni Mansour on the north side and El Araba el-Madfuna (now called Abydos Arabet) on the south side. The temple of Seti lies between the two villages with the other monuments of the north and south which extends westward into the desert. The Temple of Ramses II is about half a kilometer north of the temple of Seti.